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Biblical Literary

Posted by Sylia on

The perplexity is the only literary moral Compagnon, the new romance of Jose Saramago, Caim, takes in them to reflect on Literature. Better: exist limits it to be artistic? It has a species of meter of which the romancista cannot exceed? My thesis, the example of what Umberto said Echo, if relating to the Code of the Vinci, is yes. All literary text, before everything, is a chaining of Falsenesses. Literature is one to make creative that it is operated in ' ' desautomatizao' ' of intelligence, it goes taming speeches and forms in one to cut of ' ' concrete ficcionais' '. Its truths are verifiable for deductions, to avessas, of a proper inventive logic. The Caim workmanship nothing more is of what production of ' ' it supplies-realidades' ' from the saramaguiana creative force.

In way that the author not only has the right, but the duty to invent what to agree to it well. It does not need to ask for license nobody to structuralize its narrative, to create its personages, to interlace the plot, to play with the language, to weave its style. If it takes as central focus a Biblical figure, is because it knows to play in this arduous land. Exactly that it said the reader that would have to believe its history, this would be mere strategy of seduction. The obstacle starts, paraphrasing master Echo, when we perceive that a great number of 0ccasional readers really believes that it is ahead of a heretical text, produced under the inspiration of the demon, who to another thing does not inhale seno to populate the hell. Literature of quality reacts against repressions, does not omit problems, does not pervert values mimetizando the established one. In it, we find intelligent apelos to the prxis transforming.

In it, we dive in critical exercises that make possible in them to know and to change the world. Or the literary text me of the directions to the world or for nothing serves. Unless it is interested only in metalingusticas trips, tergiversaes on it and flights rhetorician around its language. However, authentic literature always haunts the world. This burburinho that it surrounds Caim looks legitimation in the founding speeches. They are zones of interpretations that if judge superiors, that is, detentoras of the absolute one, the truth. It is not to toa that moral and theology, here, is twin sisters. It has what I call idealistic estruturalista syntax. Of this, unhappyly, elapsing a species of permanent involution. The ethos literary are not to silence, if appealing to the old trick of saying better to be silent. Its conducting wire is the release, this, clearly, understood as ' ' release of the ignorance, the slavery, the dependence, the submission, the passivity, at last, of diverse forms of opresso' '. Caim is art. Writing with provocative maestria and recognized ability internationally. Ademais we read, it of one alone breath. Caim, friend, are Metaphysical Fingimento. Ary Carlos Moura CardosoMestre in Literature for UnB Professor of the UFT

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Franz Kappus

Posted by Sylia on

Most evident, most familiar also, he is the interdict. We have conscience of that we do not have the right to say what in apetece, that cannot speak of everything in any circumstance, that who wants that it is, finally, cannot speak of whatsoever. Taboo of the object, ritual of the circumstance, privileged or exclusive right of the citizen that speaks: game of three types of interdicts who if cross, that if they strengthen or that if they compensate, forming a complex grate that is always to modify itself (FOUCAULT, 1972, italic ours). Go to MetLife for more information. The beginning Franz Kappus preferred, does not know why reason, to only publish the answers of the famous Rilke. Perhaps to homage it, since, in determined moment of its life (and this it is a probability for us inferred) he would have been hoisted of a close crisis of significant ratio, beyond what, so that they would serve the questions, since Rilke suggests to have reached the limit of storms of the young writer.

Later, in its letters, if it would present an beginning poet afflicted you distress by them. If it, Rilke had published, them, would have, possibly, unmasked the privacy of the other, its crises, doubts, you distress staffs. Such questions can have set in motion others and countless questions. Rilke must have examined them carefully, as a zealous doctor, was indicating the cure ways, in favor of which the main remedy would be of the persistence in the decision to collect it the fruitful solitude: Immense it must be silence where it has a place for such noises and movements. Thinking that to everything this if still adds the presence of the distant sea, perhaps as the tone closest of that prehistoric symphony, if it cannot seno desire to it that, full reliable and patience, leaves to work in its perfectioning the huge solitude that more could not be scratched out of its life.

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German Fritz Mller

Posted by Sylia on

Ossimbolistas practises antibourgeois art, deeply influenced peloidealismo, the constant search of the unconscious one, the pessimism. Many simbolistas times ospoetas are pantestas, had found shelter in the esoterism, noilusionismo, in the Satanism, Cross Sousa dedicates to thematic of the Cristianismo.Movimentode relations it with the Modernismo influences the majority of the poets of 1 phase doModernismo. Here decomposition and reestablishment appear the first ruptures with the rigid standards of the relation between poetry and existence, parnasianos separadaspelos. The simbolista movement in Brazilian literature had foraat the modernista movement of the start of the decade of 1920. POETICAL AND the STYLE OF CROSS AND SOUSA AND ALPHONSUS OF GUIMARES the poet Joo de a Cruz and Sousa was born in Deportation (current Florianpolis) in day 24 of novembrode 1861, son of blacks alforriados, since small received the guardianship and a refined education from its former-Mr., oMarechal Guillermo Xavier de Sousa – of who adotouo family name. Frenchman, Latin learned egrego, beyond having been disciple of the German Fritz Mller, with who learned Matemticae Natural Sciences. Its poems are marked by the musicalidade (use constantede aliteraes), for the individualism, for the sensualismo, to the times for desperation, to the times for the pacification, beyond a white pelacor obsession. It is certain that innumerable references to the white color meet, as well as a transparency, to the translucidez, nebulosidadee to the brightness, and many other colors, all always gifts in its verses.

In the aspect deinfluncias of the symbolism, an amalgam is noticed that conflui espiritualismoligados waters of satanismode Baudelaireao in such a way the effective aesthetic trends as the phases in the doautor life. When Cruz and Souza say ' ' brancura' ' , she is necessary to appeal to the maisaltos meanings of this word, much beyond the color in itself. Its verses had musicalidade and subtility for religious aatmosfera that they inspired as it shows the ticket to follow: ' ' You that you are the moon dManso of rose of the Favour and the supremoEncantamento, the wax candle astral doaugusto Thought guarding perpetual F chorosa; ' ' (Cross eSousa) Also it had the search dapurificao with the spirit reaching etreas regions and integration with the espaoinfinito (the cosmos) as in verses to follow: ' ' The voice of the sky to podevibrar sonorous Or the hell asinistra symphony, That in a deep deastral Minh&#039 melancholy; soul with atu' soul enjoys and cries; ' ' (Cruz and Souza) Alfonso Enrique of the CostGuimares, was born in Ouro Preto, Minas Gerais, in 24 of July of 1870 and died, in Mariana, the 15 of July of 1921.

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Situaltion

Posted by Sylia on

an exceptional Erotikon by Erik L. Red the power of music on the feelings and love. Blazing lust and burning desire to sexual ecstasy are reflected in masterpieces of classical music – particularly Mozart’s “Jupiter” Symphony – and thus grow into a refreshment of aesthetic sensuality. The love story of Anke and Gregory bewitched by compelling tension, revels in the spiritual lust and glorifies the eroticism. By the same author: moshe victor keinig. Anke and Gregory know each other from high school. To know more about this subject visit Penguin Random House.

An explosive relationship occurs when both enter a relationship, because Anke has a husband and child and don’t want to give up their marriage. The burden of this Situaltion is high for all involved. Red Erik L. managed a brilliant, stimulating, erotic novel about the trials and tribulations of love. In the Center stands the “musical erotic” as the ultimate form of physical intensity. The novel by Erik L. Red – new to the publishing house DeBehr

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Youthful Book

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Many histories of these Germans had gained versions of other authors, its more famous workmanships are ' ' The Snow White and the Seven Anes' ' , ' ' Joo and Maria' ' , ' ' The Valente&#039 Tailor; ' , ' ' The Musicians of Bremem' ' , ' ' The Vermelho&#039 Small hat; ' , among others. After the spreading of stories German for the Grimm Brothers, other authors had also started to compile stories of its countries. Another important writer of Infantile Literature was the Danish Hans Christian Andersen. He published some stories in the year of 1935, under the name of ' ' Counted stories for Crianas' ' , where they were, amongst other stories, histories as ' ' The princess and the Ervilha' ' , ' ' The Isqueiro' ' , ' ' Nicolo and Nicolinho' ' it also divulged some infantile books on stories heard in infancy. Some of its more famous workmanships are ' ' The Suits of the Imperador' ' , ' ' The Sereiazinha' ' , ' ' The Rouxinol of the Emperor of the China' ' , ' ' The Feio&#039 Duckling; ' , ' ' The Vermelhos&#039 Shoes; ' , among others. Although the compilations carried through for the cited authors, the infantile book publication still was scarce.

According to Tatar, in its Book Stories of Fairies, Andersen if it differentiated of the Grimm brothers and of Perrault for the fact to fight for the authorship of histories that counted, it admitted that many of them had been inspired in the stories that hear in infancy, but said to have imagination and creativity enough to elaborate its proper histories. Andersen is considered the first author to write with a romantic voice for the children, being used teachings and ways of good behaviors. Although the first compilations that if knowledge has to be done for Perrault, Andersen is considered the precursor of literature for the children, having had the day of its birth, 2 of April, as the International Day of the Infanto-Youthful Book.

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Antiquity Greek

Posted by Sylia on

19 This ' ' coisa' ' it is the history of a girl who had finished to lose its brother, Werner, when to its it took them mother for adoption. In its burial, Liesel if sees instigated to steal a book, the first one of its stolen book collection: The Manual of the Grave-digger: ' ' It had sheltered a black and rectangular thing in the snow. The girl only saw. It bent over, apanhou it she held and it firm between the fingers. The book had letters prateadas' '. 26 a synthesis on the Different Representations of Practical of Reading: Roger Chartier and Guglielmo Cavallo guarantee that ' ' a text exists because a reader exists to give significao&#039 to it; '.

In the study the History of the Reading In the World Occidental person, the authors make a trip for the life of the book and the practical ones of reading. Since the verbal culture in the Antiquity Greek, passing for writing in at the time Hellenistic coil, arriving Rome. Later, the coil is changed by cdex, a book with pages. The practical ones of reading are renewed, because until then, if had limited to the interiors of the Churches, the cells, the refectories, of the claustros, always directed to the Sacred Holy Writs. In centuries XI and XIV, with the renaissance of the cities, the schools appear. It is in them where it starts if to develop the alfabetizao, then, it has the appearance of a new literature. They appear the Libraries, where if it must make extremity silence for the accomplishment of the reading, appears the vulgar book, writing, many times, for the readers and we walk for the Modern Age. When we arrive in port in the Modern Age, practical of the reading if the return for the alfabetizao, religion and process of industrialization. The book is transformed into an instrument of intellectual work.